3.
Temp tracks. How to use temp tracks... or avoid to use temp tracks.
Temp
(temporary) tracksare a great help for directors. And
truly it may be very convenient for them to use a piece of music
already written in order to describe to other people involved
in a project - composers for example - what they have in mind.
Also temp tracks can be used at different stages during the
production of a film - for example for screening purposes - when
the music is not yet written.
But
in the words of Fred Karlin 'no phrase, in the language of
film, can creates as much anxiety or even anguish than temp track
!'. From a composer point of view,temp tracks create
a very serious problem: people, directors, producers, editors, etc...,
might get used to them after hearing them all the time, even though,
in the end, they may not be suitable.
A better alternative would be to get the composer involved much
earlier on in the project and try and describe exactly what kind
of atmosphere you want the music to evoke. Maybe even illustrating
this with examples from other films.
A good composer will be fully conversant with the styles of
major directors and genres, and should be able to help here in case
if you are really stuck.
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4. Underscoring, prescoring and
source music. Underscoring
or scoring refers more precisely to the process of putting
music to a film after the film has been shot. When music is recorded
before we have ... prescoring. Obviously prescoring is a
necessity when the pictures have to be synchronized to music, which,
of course, is the case in musicals - where actors can hear the playback
and mime the action.
But,
in general, what everybody calls film music is underscore,
and it is one of the basic elements or building blocks available
to a director to tell a story on a par with lighting, sets, camera
works, dialogue, etc... And this, of course, implies music
specially written for a particular film. Who doesn't remember the
music of The Mission, Paris, Texas, Shaft, Psycho, Total Recall,
The English Patient, etc...
Source
music is the actual music that is occurring in the film itself,
coming from a car radio, a jukebox or in a nightclub for example.
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